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<channel>
	<title>Bart Was Not Here</title>
	<link>https://bartwasnothere.com</link>
	<description>Bart Was Not Here</description>
	<pubDate>Sun, 30 Jul 2023 13:54:14 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://bartwasnothere.com/Home</link>

		<pubDate>Sun, 30 Jul 2023 13:54:14 +0000</pubDate>

		<dc:creator>Bart Was Not Here</dc:creator>

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		<description>︎︎


	Threshold [Ongoing].

	Objects.


	Seeing Red[2021].

	Paintings[2020-2012].


	ODB[Ongoing].

	Cirriculum Vitae.


BART WAS 

NOT HERE

︎
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		<title>Threshold</title>
				
		<link>https://bartwasnothere.com/Threshold</link>

		<pubDate>Fri, 14 Jul 2023 04:54:15 +0000</pubDate>

		<dc:creator>Bart Was Not Here</dc:creator>

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	Home.Threshold.
Objects.Seeing Red.ODB.
Paintings[2020-2012].CV.
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	Text :

Threshold

2022 - Ongoing

From the land of gold, concrete, blood, and blind faith. Products of their home world. Recognizable but foreign.Moving through time, space, reality, and fiction. 

Threshold is a long running series of world-building work that spans across multiple mediums from paintings and illustrations to sculpture. The visual language of cinema, folklore, religion, and fiction are some of the main tools used to build the world of Threshold as the characters known as The Inter-dimensionals play out their fates in each vignette. This body of work deals with &#38;nbsp;the themes of transitions, agency,&#38;nbsp; the idea of home, leaving home, finding home, and complex relationships with home.



	&#60;img width="7767" height="6048" width_o="7767" height_o="6048" data-src="https://freight.cargo.site/t/original/i/74ef06117c6341a09ce948db4d77d1345f95dbb85d4af7301d9ac03d03093a2d/Threshold-Treading_Bart-Was-Not-Here.jpg" data-mid="243903599" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/74ef06117c6341a09ce948db4d77d1345f95dbb85d4af7301d9ac03d03093a2d/Threshold-Treading_Bart-Was-Not-Here.jpg" /&#62;

	Threshold-treading48in x 60inOill on Canvas2026

	&#60;img width="6048" height="7752" width_o="6048" height_o="7752" data-src="https://freight.cargo.site/t/original/i/da664b00bda6b4e0cc3df0cad7d922295b7d6161584799a68a1a6af415750ac4/LINES-_Bart-Was-Not-Here.jpg" data-mid="243903600" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/da664b00bda6b4e0cc3df0cad7d922295b7d6161584799a68a1a6af415750ac4/LINES-_Bart-Was-Not-Here.jpg" /&#62;

	Lines60in x 48inOill on Canvas2025

	&#60;img width="2241" height="1690" width_o="2241" height_o="1690" data-src="https://freight.cargo.site/t/original/i/d99cea0aa86e0c765e2845714f943673203c3c9f1acbf75b1aedce8fb8a12cae/IMG_9225-copy.jpg" data-mid="243903631" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/d99cea0aa86e0c765e2845714f943673203c3c9f1acbf75b1aedce8fb8a12cae/IMG_9225-copy.jpg" /&#62;

	“Yes Sir, I Can Boogie.”48in x 60inOill,Sand,Ceramic Stucco on Canvas2026



	&#60;img width="8064" height="5979" width_o="8064" height_o="5979" data-src="https://freight.cargo.site/t/original/i/2baf8fad24393de24cc422a9245224aeb7b7405e7333258948ffcc2b76c41200/Waiting-Room-2_Final.jpg" data-mid="243903220" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/2baf8fad24393de24cc422a9245224aeb7b7405e7333258948ffcc2b76c41200/Waiting-Room-2_Final.jpg" /&#62;

	Waiting Room18in x 22.5inOill on Paper2025

	&#60;img width="4032" height="3006" width_o="4032" height_o="3006" data-src="https://freight.cargo.site/t/original/i/49d230135652a2f61af74328909cf2e94c522f15d97e8278ead62971b50ef2fb/Waiting-Room_1-LQ.jpg" data-mid="243903226" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/49d230135652a2f61af74328909cf2e94c522f15d97e8278ead62971b50ef2fb/Waiting-Room_1-LQ.jpg" /&#62;


	
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/d777fa4d6f6ca48e0a2d5b387921c2eadf2b91e57e199e2de884a2452de105ea/DSCF7767-copy.jpg" data-mid="243913608" border="0"  src="https://freight.cargo.site/w/1000/i/d777fa4d6f6ca48e0a2d5b387921c2eadf2b91e57e199e2de884a2452de105ea/DSCF7767-copy.jpg" /&#62;



	Waiting Room (2)18in x 22.5inOill on Paper2025


	&#60;img width="6853" height="5491" width_o="6853" height_o="5491" data-src="https://freight.cargo.site/t/original/i/23a4cae2fd73eed6ae02e780792e70e49486ccc280d645676ce7323f6052603c/Playground.JPG" data-mid="218813446" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/23a4cae2fd73eed6ae02e780792e70e49486ccc280d645676ce7323f6052603c/Playground.JPG" /&#62;

	Harsh Language18in x 22.5inGouache on Paper2024


	&#60;img width="7703" height="5846" width_o="7703" height_o="5846" data-src="https://freight.cargo.site/t/original/i/698e27f09f0659a857df5e8e6328c6a64a59d8a6d5d0fdb51644125abe59639a/Bodies.jpg" data-mid="218813445" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/698e27f09f0659a857df5e8e6328c6a64a59d8a6d5d0fdb51644125abe59639a/Bodies.jpg" /&#62;


	Al-Istirja’16.5in x 22inGouache on Paper2024

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	Unkown (Ornament)18in x 22.5inGouache on Paper2024

	
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&#60;img width="5849" height="3899" width_o="5849" height_o="3899" data-src="https://freight.cargo.site/t/original/i/a9fc28f8727ce2f274135b3adaa20abdfb447e158deb8ef857dfa0082cdff2cb/DSC06427.jpg" data-mid="243913936" border="0"  src="https://freight.cargo.site/w/1000/i/a9fc28f8727ce2f274135b3adaa20abdfb447e158deb8ef857dfa0082cdff2cb/DSC06427.jpg" /&#62;
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&#60;img width="8064" height="6048" width_o="8064" height_o="6048" data-src="https://freight.cargo.site/t/original/i/66d7cead3982425c284ea1f781b0f83c886a14e4d42ba2f08bd4e37d4c5bed04/3-2.jpg" data-mid="243913624" border="0"  src="https://freight.cargo.site/w/1000/i/66d7cead3982425c284ea1f781b0f83c886a14e4d42ba2f08bd4e37d4c5bed04/3-2.jpg" /&#62;
&#60;img width="7784" height="5838" width_o="7784" height_o="5838" data-src="https://freight.cargo.site/t/original/i/43549829a93a229a08d5f453e36cb5fe3a0fe468ca682b99ce8f4ac238515b28/1-2.jpg" data-mid="243913621" border="0"  src="https://freight.cargo.site/w/1000/i/43549829a93a229a08d5f453e36cb5fe3a0fe468ca682b99ce8f4ac238515b28/1-2.jpg" /&#62;





	&#60;img width="2777" height="3598" width_o="2777" height_o="3598" data-src="https://freight.cargo.site/t/original/i/7951f7693f947a45eecb575060957de1d5094fd3dd67d3d01cf0e29d56488921/Chaos-Treading.jpg" data-mid="243913937" border="0"  src="https://freight.cargo.site/w/1000/i/7951f7693f947a45eecb575060957de1d5094fd3dd67d3d01cf0e29d56488921/Chaos-Treading.jpg" /&#62;

	Untitled
48in x 36in
Acrylic on Canvas
2023




	&#60;img width="7370" height="8959" width_o="7370" height_o="8959" data-src="https://freight.cargo.site/t/original/i/c648fc85d7cb030a4d96865d056c0e80dbe6bd5c37e6ca21f3de9d3931015fa5/From-the-Womb_To-the-Tomb_FINAL-copy.jpg" data-mid="200281209" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/c648fc85d7cb030a4d96865d056c0e80dbe6bd5c37e6ca21f3de9d3931015fa5/From-the-Womb_To-the-Tomb_FINAL-copy.jpg" /&#62;

	From the Womb to the Tomb60in x 48inAcrylic on Canvas2022
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		<title>Objects</title>
				
		<link>https://bartwasnothere.com/Objects-1</link>

		<pubDate>Fri, 28 Jul 2023 13:51:25 +0000</pubDate>

		<dc:creator>Bart Was Not Here</dc:creator>

		<guid isPermaLink="true">https://bartwasnothere.com/Objects-1</guid>

		<description>
	&#60;img width="594" height="594" width_o="594" height_o="594" data-src="https://freight.cargo.site/t/original/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" data-mid="186348513" border="0" data-scale="62" src="https://freight.cargo.site/w/594/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" /&#62;
	Home.Threshold.
Objects.Seeing Red.ODB.
Paintings[2020-2012].CV.
	
	
	
	︎︎
	


	


	&#60;img width="1788" height="946" width_o="1788" height_o="946" data-src="https://freight.cargo.site/t/original/i/3c6e4051fd9e1c81c92c59b66c40ddaad66d4b49e4e23460545bba03053e492c/117838066_2389387754702274_8764290932265355918_o.jpg" data-mid="186460605" border="0"  src="https://freight.cargo.site/w/1000/i/3c6e4051fd9e1c81c92c59b66c40ddaad66d4b49e4e23460545bba03053e492c/117838066_2389387754702274_8764290932265355918_o.jpg" /&#62;

	
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&#60;img width="1356" height="2048" width_o="1356" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9ea785226c588d6b15cfa1c56989ce723ce5db0f458535edcd149147443ecd36/Icon1.png" data-mid="186460520" border="0"  src="https://freight.cargo.site/w/1000/i/9ea785226c588d6b15cfa1c56989ce723ce5db0f458535edcd149147443ecd36/Icon1.png" /&#62;



	ALTARPIECE
[2020]
	Hand-Sculpted and Casted from Fiberglass Resin 14.5in H x 4.5in D x 4.2in WMatte Black and White EditionsEditions of 30 Each


	
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/543461af5a20f31d0563993d358d281fc10fa96ca2f66f1d141c1e84c91954d5/6D227818-05F3-4445-8534-60C1D97A54F6-9717-00001299F3DCE926.JPG" data-mid="186460809" border="0"  src="https://freight.cargo.site/w/1000/i/543461af5a20f31d0563993d358d281fc10fa96ca2f66f1d141c1e84c91954d5/6D227818-05F3-4445-8534-60C1D97A54F6-9717-00001299F3DCE926.JPG" /&#62;
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	PYIT TINE HTAUNG
[2020]
	120in H x 60in x 65in
Mixed Media




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</description>
		
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	<item>
		<title>Seeing Red</title>
				
		<link>https://bartwasnothere.com/Seeing-Red</link>

		<pubDate>Fri, 28 Jul 2023 04:10:27 +0000</pubDate>

		<dc:creator>Bart Was Not Here</dc:creator>

		<guid isPermaLink="true">https://bartwasnothere.com/Seeing-Red</guid>

		<description>
	&#60;img width="594" height="594" width_o="594" height_o="594" data-src="https://freight.cargo.site/t/original/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" data-mid="186311196" border="0" data-scale="62" src="https://freight.cargo.site/w/594/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" /&#62;
	Home.Threshold.
Objects.Seeing Red.ODB.
Paintings[2020-2012].CV.
	︎︎

	



	


	



	&#60;img width="3223" height="4655" width_o="3223" height_o="4655" data-src="https://freight.cargo.site/t/original/i/4922a508dce3b3e2c7c8db23cf2d4f477434dc4cdd472b61c9d89b7938a29322/IMG_7862-copy.png" data-mid="186349099" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/4922a508dce3b3e2c7c8db23cf2d4f477434dc4cdd472b61c9d89b7938a29322/IMG_7862-copy.png" /&#62;
	Seeing Red
2021
On the morning of 1st February 2021, the Burmese military junta staged a coup d’etat with no solid reason whatsoever. The Junta claimed voting fraud and arrested all the elected personnels. The whole country of Burma rose up and protested against thecoup. The protests started from first week of February and it evolved into a defensivecivil war by mid and late 2021.
Bart reacted to the coup on the first day with a digital artwork “Disobey” which went viral amongst Burmese graffiti community as a keyword that got sprayed on walls and public places in Yangon city. He made protest art/illustrations every month insupport for the freedom movement in 2021. 
Seeing Red series is a selection works from thewhole body of work.
His protest illustrations have been featured in prominent publications such as TIME Magazine, France24, Nikkei Asia, and Hyperallergic. These works have been exhibited in front of the Louvre in Paris, Oslo, Australia, London, and more....................................................................................................
“Most these works had to be made digitally while I was in Yangon during the early daysof the coup and the protest so I could just delete all of them (as opposed to throwing away the physical evidences). After I left Yangon, I kept making protest artworks on my iPad. I guess it became a habit. This is a collection of my favorite 2021 Burma protest artworks.”

- Bart Was Not Here#whatshappeninginmyanmar


	

	
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/7598b8a716dde3f5394d63cd1fbff674a0b1eb32b38a691cc422a91653b44b53/IMG_8255.JPG" data-mid="186437308" border="0"  src="https://freight.cargo.site/w/1000/i/7598b8a716dde3f5394d63cd1fbff674a0b1eb32b38a691cc422a91653b44b53/IMG_8255.JPG" /&#62;
&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d591b7c20e6a9dfa158657b7bef299ea0c56c2c9f16ba86d92aa3130933bfb50/IMG_7558.JPG" data-mid="186311335" border="0"  src="https://freight.cargo.site/w/1000/i/d591b7c20e6a9dfa158657b7bef299ea0c56c2c9f16ba86d92aa3130933bfb50/IMG_7558.JPG" /&#62;

	&#60;img width="2550" height="3300" width_o="2550" height_o="3300" data-src="https://freight.cargo.site/t/original/i/a1c4579ba8577ea6bb70617255d36880d932003df741cba3d251e69c3c3e2a7d/IMG_5691.JPG" data-mid="186437309" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a1c4579ba8577ea6bb70617255d36880d932003df741cba3d251e69c3c3e2a7d/IMG_5691.JPG" /&#62;
DisobeyDigital Illustration2021


	
&#60;img width="5221" height="8340" width_o="5221" height_o="8340" data-src="https://freight.cargo.site/t/original/i/f4a4aab5ac55f5139e7f84b84fa2769c37a3276702a9e30cc6a44d5036dfc762/IMG_8182.JPG" data-mid="186311336" border="0"  src="https://freight.cargo.site/w/1000/i/f4a4aab5ac55f5139e7f84b84fa2769c37a3276702a9e30cc6a44d5036dfc762/IMG_8182.JPG" /&#62;
&#60;img width="5221" height="8390" width_o="5221" height_o="8390" data-src="https://freight.cargo.site/t/original/i/65d392e1135398344a3a742d53e04dae053039892ce08ef6df8107dfe06002a0/IMG_8183.JPG" data-mid="186311337" border="0"  src="https://freight.cargo.site/w/1000/i/65d392e1135398344a3a742d53e04dae053039892ce08ef6df8107dfe06002a0/IMG_8183.JPG" /&#62;


	Gods and Prophets on Strike
Digital Illustration
2021
	“Gods and Prophets on Strike is an illustration tailor-made for the Civil Disobedience Movement during the 2021 pro-democracy protests in Burma.
Burma, objectively, is a country where religiongoverns national policy directly or indirectly. Most of the civilians in the private and public work force have an attachment to their respective religions.&#38;nbsp;When the 2021 coup happened in February, all the religious leaders that have beenprofiting off of the general public went radio silent to protect their interest, and also their lives.The religious leaders hid and ran so the gods and prophets themselves had to come out and stand with the people.”

	
&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/98014b0fb6bd54970b6471bc9b9614bc425b202cdc87ea4b1e7cfc0872d3bcdd/Exploding-truck-copy.jpg" data-mid="186311921" border="0"  src="https://freight.cargo.site/w/1000/i/98014b0fb6bd54970b6471bc9b9614bc425b202cdc87ea4b1e7cfc0872d3bcdd/Exploding-truck-copy.jpg" /&#62;
&#60;img width="7944" height="7453" width_o="7944" height_o="7453" data-src="https://freight.cargo.site/t/original/i/068374c26d8250003f79453ab473771d16db2f6e93a1a6f806bbb555cf4cfa91/IMG_9012.JPG" data-mid="186311338" border="0"  src="https://freight.cargo.site/w/1000/i/068374c26d8250003f79453ab473771d16db2f6e93a1a6f806bbb555cf4cfa91/IMG_9012.JPG" /&#62;


	Against All OddsDigital Illustration2021

Light ‘Em UpDigital Illustration2021


	“Both ‘Light ‘Em Up’ and ‘Against All Odds’ are based on true events that occurred during the protests.

When the military opened fire on innocent civilians on 28th February 2021, most of the young people realized there was only one way to gain ourfreedom back. That route was far from easy.&#38;nbsp;Young people, of all creed and color, started building barricades in the streets, forging make-shift steel shields, and made homemade molotov cocktails.
The two instances that really stood out to me were turned into illustrations as a part of this “Seeing Red” series.
The young man that was trying to fight live rounds with a bow and arrow, the civilian that threw a hand grenade into a military truck offered something refreshing while we were seeing all the news of death and despair flooding us in real life, and on social media.
These images, to me, offered something that I have never seen in the previous generation of Burmese people - the sheer will to physically fight the oppressor to retrieve our freedom.”


	&#60;img width="6729" height="9525" width_o="6729" height_o="9525" data-src="https://freight.cargo.site/t/original/i/085e7ea012e970bad086d905809ab0b97f41517d409e0ffc90a9428527bc12ec/Triumph.jpg" data-mid="186311340" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/085e7ea012e970bad086d905809ab0b97f41517d409e0ffc90a9428527bc12ec/Triumph.jpg" /&#62;

	TriumphGuoache on Fabriano Paper2021

	“In his signature illustration style, Bart animates symbolic violent acts against the military that hold some comedic value despite their sinister nature. As part of a network of young people fuelling the resistancethrough fundraisers, Bart and his friends were targeted- and many paid the ultimate price. Bart’s images are renderings of clear and direct sentiments.”
- Nathalie Johnston, Fighting Fear 2 Catalogue.

	
&#60;img width="6980" height="7022" width_o="6980" height_o="7022" data-src="https://freight.cargo.site/t/original/i/167a21cdd71b0cd19cf83a4ae42528911728c1688b67f5cc29727c9b1e722186/Omen-pt1.jpg" data-mid="186311971" border="0"  src="https://freight.cargo.site/w/1000/i/167a21cdd71b0cd19cf83a4ae42528911728c1688b67f5cc29727c9b1e722186/Omen-pt1.jpg" /&#62;
&#60;img width="6980" height="7022" width_o="6980" height_o="7022" data-src="https://freight.cargo.site/t/original/i/8bd00c785b737f8f3c8d5199cfd9026a185ad3cee2fafc99024a800e29120e17/Omen-pt2.jpg" data-mid="186311339" border="0"  src="https://freight.cargo.site/w/1000/i/8bd00c785b737f8f3c8d5199cfd9026a185ad3cee2fafc99024a800e29120e17/Omen-pt2.jpg" /&#62;


	OmenDigital Illustration2021
	“Omen is an illustration prophesizing the end of the military regimein Burma. It is an exact copy of the general’s cap worn by Senior General Min Aung Hlaing, except for the Burmese text below the crest. This is a pejorative term in Burmese implying relations between the general and his mother. Omen is meant as an explicit insult to the military and a will to destroy them. All those in Myanmar who voted in multiple elections to gradually lessen the military’s influence by supporting democratically elected leaders are angry beyond measure that not only was the election result of 2020 denied to them, but also their leaders imprisoned, and untold numbers of peaceful protestors have been imprisoned and killed for defying the institution which has taken away their freedom.”
-Nathalie Johnston, Curator, Fighting Fear 2 Catalogue

	&#60;img width="6464" height="3954" width_o="6464" height_o="3954" data-src="https://freight.cargo.site/t/original/i/5e3bd8e129a062b090add5df8683806ade320e5e5305a1a6319b0ebc02cc228c/Dancing-On-Your-Grave.jpg" data-mid="186312012" border="0"  src="https://freight.cargo.site/w/1000/i/5e3bd8e129a062b090add5df8683806ade320e5e5305a1a6319b0ebc02cc228c/Dancing-On-Your-Grave.jpg" /&#62;

	Dancing On Your Grave
24in x 40inAcrylic on Canvas2021
	“Dancing on Your Grave is a loveletter to all the Urban Guerrilla brothers and sisters sacrificing their lives and taking all the risks to disrupt the Military Junta's chokehold and protect the civilians from giving into the absurd pressures applied by the Junta.”
</description>
		
	</item>
		
		
	<item>
		<title>ODB [Ongoing]</title>
				
		<link>https://bartwasnothere.com/ODB-Ongoing</link>

		<pubDate>Sun, 30 Jul 2023 00:40:33 +0000</pubDate>

		<dc:creator>Bart Was Not Here</dc:creator>

		<guid isPermaLink="true">https://bartwasnothere.com/ODB-Ongoing</guid>

		<description>
	&#60;img width="594" height="594" width_o="594" height_o="594" data-src="https://freight.cargo.site/t/original/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" data-mid="186453431" border="0" data-scale="69" src="https://freight.cargo.site/w/594/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" /&#62;
	
	Home.Threshold.
Objects.Seeing Red.ODB.
Paintings[2020-2012].Illustrations.CV.
	
	︎︎
	


	


	


	Old Dirty Bastards [2017-Ongoing]
Digital Prints
“Old Dirty Bastards” print series stemmed from Bart’s love for Hip Hop music and disdain for the figures that had driven his home country,Burma, down to the ground for decades. He produced the first batch of Old Dirty Bastard while he was in college to share amongst his friends, disseminate in the public spaces, and occupy Burmese meme forums on social media.


The main purpose for this body of work is to show the humorous side of the Burmese culture, and how the people use humor as a tool to fight, to entertain each other, and cope during the desolate authoritarian years that spanned for decades.



&#60;img width="5846" height="8268" width_o="5846" height_o="8268" data-src="https://freight.cargo.site/t/original/i/619242ab1729c8c486ecdf7a89a78f11568eed51b2b92ac9ae8558192480dffd/3-copy.jpg" data-mid="186459167" border="0"  src="https://freight.cargo.site/w/1000/i/619242ab1729c8c486ecdf7a89a78f11568eed51b2b92ac9ae8558192480dffd/3-copy.jpg" /&#62;
&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/806758656d797fbc5068328bf29b458a8f064220a1d1377f0bd38be597a321aa/print_Min-Aung-Hlaing.jpg" data-mid="186459143" border="0"  src="https://freight.cargo.site/w/1000/i/806758656d797fbc5068328bf29b458a8f064220a1d1377f0bd38be597a321aa/print_Min-Aung-Hlaing.jpg" /&#62;
&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/bad5886df70f787ba5cbe5a5f29ee941e02c8e0d0ff7f0fe6efc98eced890760/1-copy.jpg" data-mid="186459165" border="0"  src="https://freight.cargo.site/w/1000/i/bad5886df70f787ba5cbe5a5f29ee941e02c8e0d0ff7f0fe6efc98eced890760/1-copy.jpg" /&#62;


	Ne Win
2017
	Min Aung Hlaing2020
	Wirathu2017


	
&#60;img width="3678" height="3669" width_o="3678" height_o="3669" data-src="https://freight.cargo.site/t/original/i/185bf80f17194084bb0d1bf837d69bb9ad1f2238840056376772ebc7ff917858/print_Khin-Nyunt.jpg" data-mid="186459142" border="0"  src="https://freight.cargo.site/w/1000/i/185bf80f17194084bb0d1bf837d69bb9ad1f2238840056376772ebc7ff917858/print_Khin-Nyunt.jpg" /&#62;
&#60;img width="5846" height="8268" width_o="5846" height_o="8268" data-src="https://freight.cargo.site/t/original/i/0a603ceef03a583357d2d374e567debe96a81e533316510dc0eebb7f23890d35/2-copy.jpg" data-mid="186459166" border="0"  src="https://freight.cargo.site/w/1000/i/0a603ceef03a583357d2d374e567debe96a81e533316510dc0eebb7f23890d35/2-copy.jpg" /&#62;


	Khin Nyunt2020
	Than Shwe2017
</description>
		
	</item>
		
		
	<item>
		<title>Paintings [2020-2012]</title>
				
		<link>https://bartwasnothere.com/Paintings-2020-2012</link>

		<pubDate>Sat, 08 Jul 2023 23:19:27 +0000</pubDate>

		<dc:creator>Bart Was Not Here</dc:creator>

		<guid isPermaLink="true">https://bartwasnothere.com/Paintings-2020-2012</guid>

		<description>
	&#60;img width="594" height="594" width_o="594" height_o="594" data-src="https://freight.cargo.site/t/original/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" data-mid="184815508" border="0" data-scale="69" src="https://freight.cargo.site/w/594/i/1fb6b20a06a72a9b8d8ce742ebf547186f6b314eb10f11fc1e3f46ac5c3ea556/BART-Logo.png" /&#62;
	Home.Threshold.
Objects.Seeing Red.ODB.
Paintings[2020-2012].CV.
	
	
	︎︎
	


	


	


	&#60;img width="2979" height="4290" width_o="2979" height_o="4290" data-src="https://freight.cargo.site/t/original/i/53ad800adda8f33b29a6fd9772c04edd9c6a8f0fae454dc312f20434788e480b/Pleased-To.jpg" data-mid="186457735" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/53ad800adda8f33b29a6fd9772c04edd9c6a8f0fae454dc312f20434788e480b/Pleased-To.jpg" /&#62;


	Pleased To Meet You, Hope You Guessed My Name60in x 42inAcrylic on Canvas2021


	&#60;img width="3614" height="2277" width_o="3614" height_o="2277" data-src="https://freight.cargo.site/t/original/i/3853bdfab62d99d2d236a33da1d94e5905042a2aa9a0661d70b170594c57b38c/IMG_0379.jpg" data-mid="186480432" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/3853bdfab62d99d2d236a33da1d94e5905042a2aa9a0661d70b170594c57b38c/IMG_0379.jpg" /&#62;


	This Motherfucking Country...
24in x 12in
Acrylic on Canvas
2019-2020

	
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/8d41e3d7f7e327d54ab1de1cb738b0e912a1e0f2d4aa98fed932af3c3325b430/1.jpg" data-mid="184829565" border="0"  src="https://freight.cargo.site/w/1000/i/8d41e3d7f7e327d54ab1de1cb738b0e912a1e0f2d4aa98fed932af3c3325b430/1.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/17ea9071cd308ca678563cc4e1ead0533347319129a26c31df6e9ea2806948b7/2.jpg" data-mid="184829566" border="0"  src="https://freight.cargo.site/w/1000/i/17ea9071cd308ca678563cc4e1ead0533347319129a26c31df6e9ea2806948b7/2.jpg" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/fc685a6726620e12d9c591b50d03e05eaac88d42a1ad0334a2ba40e834f67e42/3-4.jpg" data-mid="184829568" border="0"  src="https://freight.cargo.site/w/1000/i/fc685a6726620e12d9c591b50d03e05eaac88d42a1ad0334a2ba40e834f67e42/3-4.jpg" /&#62;


	
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/b8a57ccd3a6c360de456d05a996c25a8d916413109891a244b9cba2f41bcb7de/5.jpg" data-mid="184829579" border="0"  src="https://freight.cargo.site/w/1000/i/b8a57ccd3a6c360de456d05a996c25a8d916413109891a244b9cba2f41bcb7de/5.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/804dedcc6c3a688e0e318303f80b1b18fec5d4e459aefa3569c6045a9a000e46/6.jpg" data-mid="184829580" border="0"  src="https://freight.cargo.site/w/1000/i/804dedcc6c3a688e0e318303f80b1b18fec5d4e459aefa3569c6045a9a000e46/6.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/0c1a2f198dfcf4f3df86cbe00c17524d9194c9d063bb17af168fe4372d1438ba/7.jpg" data-mid="184829581" border="0"  src="https://freight.cargo.site/w/1000/i/0c1a2f198dfcf4f3df86cbe00c17524d9194c9d063bb17af168fe4372d1438ba/7.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/3d683051a7a5ad2d78824fff933dac3d9fc4e215c7ba33e6c0b0c4d83bf274db/8.jpg" data-mid="184829582" border="0"  src="https://freight.cargo.site/w/1000/i/3d683051a7a5ad2d78824fff933dac3d9fc4e215c7ba33e6c0b0c4d83bf274db/8.jpg" /&#62;


	&#60;img width="5902" height="1478" width_o="5902" height_o="1478" data-src="https://freight.cargo.site/t/original/i/f02fab552dd57be3d3a0e05152f0a3111d3d5695f3dd687b65ba804116bf287d/shrunk.jpg" data-mid="184829936" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f02fab552dd57be3d3a0e05152f0a3111d3d5695f3dd687b65ba804116bf287d/shrunk.jpg" /&#62;

	Friday Evening24in x 156.8in [ 8 individual paintings ]Acrylic on Canvas2019
	Story by Wunna Aung
</description>
		
	</item>
		
		
	<item>
		<title>Curriculum Vitae</title>
				
		<link>https://bartwasnothere.com/Curriculum-Vitae</link>

		<pubDate>Sun, 09 Jul 2023 15:10:25 +0000</pubDate>

		<dc:creator>Bart Was Not Here</dc:creator>

		<guid isPermaLink="true">https://bartwasnothere.com/Curriculum-Vitae</guid>

		<description>
	&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/3bf17717a2d542d6b7fa9ba17b1b5dd3d28392a0e586f06d6964786c9acb7354/BART-Logo2.png" data-mid="184562967" border="0" data-scale="26" src="https://freight.cargo.site/w/800/i/3bf17717a2d542d6b7fa9ba17b1b5dd3d28392a0e586f06d6964786c9acb7354/BART-Logo2.png" /&#62;
	Home.&#38;nbsp;Threshold&#38;nbsp;. Objects. SeeingRed.
ODB. Paintings[2020-2012]. CV.

	
	︎︎

	&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5ad5538ae989b65e15d4b475342176434215e202499e077f698eadce7f7966f5/PROFILE-PHOTO-2.png" data-mid="184559887" border="0"  src="https://freight.cargo.site/w/1000/i/5ad5538ae989b65e15d4b475342176434215e202499e077f698eadce7f7966f5/PROFILE-PHOTO-2.png" /&#62;
BART WAS NOT HERE / KYAW MOE KHINE [b.1996] 
Kyaw Moe Khine (b.1996), professionally known as Bart Was Not Here, is a Burmese artist in exile based in New York. Rooted in graffiti culture and raised on imported subcultures, his visual language evolved out of&#38;nbsp; subversion, fiction, and a practiced investment in narratives. Working across large-scale canvases, sculptural installations, figurines, and drawings, Bart constructs sprawling narrative worlds inhabited by recurring characters and shapeshifting motifs.
Born and raised in Burma under military dictatorship, he grew up alienated by a broken school system, religious orthodoxy, and the inability to assimilate into conservative Burmese culture. Graffiti became his first tool of agency at age 13, adopting the pseudonym Bart Was Not Here to conceal his identity. With limited access to global culture, he found a window through dial-up internet and bootleg markets, absorbing foreign films, literature, and numerous subcultures as maps to other worlds.
Bart’s practice walks the line between aesthetic seduction and anti-aesthetic resistance, blending cinematic composition with gallows humor, internet semiotics with folklore, and conventional beauty with disobedience. Drawing from a wide net of visual influences ranging from media smuggled through satellite dishes and black markets to canonical art history, his work engages themes of violence, voyage, worship, agency, and myth-making.
Bart graduated in Fine Arts from LASALLE College of the Arts Singapore in in 2018. He has exhibited internationally in New York, Paris, London, Oslo, Hong Kong, and Yangon. In 2021, following his involvement in the resistance against Myanmar’s military coup d’état, he went into exile. He was artist-in-residence at the Cité Internationale des Arts in Paris (2021–2022) and at the Elizabeth Foundation for the Arts in New York (2023-2024). His recent work continues to push toward unstable forms and narrative thresholds, disassembling what is sacred, familiar, or fixed. 





	

	

	RESIDENCIES

	2025
	Artist-In-Residence. Comparative Global Humanities Initiative at Massachusetts Institute of Technology.


	2025
	Artist Community Network Program by AFI. New York, New York.



	2024
	Potato Farm Project/EFA North Fork. Long Island, New York.

	2023-2024
	Elizabeth Foundation for the Arts. New York, New York.

	2021-2022
	Cité Internationale des Arts. Paris,France.




	SELECTED EXHIBITIONS



	


	2025
	Dazzling Wings, Trapez. Zürich, Switzerland.

	
	

	2024
	Two Realities with Antoine Félix Bürcher, Temple Gallery. New York, USA.



	2024
	Myanmar Graffiti Timeline, The American Center. Yangon, Burma.

	2024
	WTB - Reunited, Myanm/art Gallery. Yangon, Burma.



	2023

	Cement,Tail of a Gecko,Temple Gallery and Tutu Gallery. New York,USA.


	2023
	We Are The Seeds,Open Society Foundation. Berlin,Germany.


	2023
	PhotoClimat 2023. Paris,France.


	2023
	Fighting Fear II : It Goes Without Saying,16 Albermarle Project Space. Sydney,Australia.


	2023
	MyanmarBike: A Culture of Remembrance. Berlin,Germany.

	

	

	2021
	Fighting Fear(As a part of Photo Climat 2021). Paris, France.

	2021
	Fighting Fear. Oslo,Norway.

	2021
	Myanmar Voices: We Are Still Here,Karin Weber Gallery. Hong Kong.

	2021
	Fighting Fear: What’s Happening In Myanmar,16 Albermarle Project Space. Sydney,Australia.

	2020
	Singapore Festival,Lim Ching Tsong Palace. Yangon,Myanmar.


	
	


	2019
	Word Therapy(Sakar Ahla Ku Htone) by Facebook,The Secretariat. Yangon,Myanmar.

	2019
	08:06:06,Moon Gallery. Yangon,Myanmar.

	2019
	Street Art and Urban Art in Yangon.American Center Yangon.

	2019
	God Complex,Myanm/Art. Yangon,Myanmar.

	2019
	Playing Time and Space,Intersections Gallery. Singapore.

	2019
	Seeing Through Buddhism. Sri Lanka.

	
	

	2018
	Devotion &#38;amp; Protest,Intersections Gallery. Singapore.

	2018
	StART Art Fair (As a part of Akroyd Art).Saatchi Gallery. London,UK.

	2018
	The Lasalle Show,Lasalle College of the Arts. Singapore.

	2018
	Vice Versa,Lasalle College of the Arts. Singapore.

	
	

	2017
	Roc And Roll,Myanm/Art. Yangon,Myanmar.

	2016
	ROAR : ULNEASHED, Myanm/Art. Yangon,Myanmar.

	2016
	#MONOCHROMACY, The Rough Cut. Yangon,Myanmar.

	2015
	Yangon Street Art Festival, Institut Francais. Yangon, Myanmar.

	2015
	Seeing With Digital Eyes, Lasalle College of the Arts. &#38;nbsp;Singapore.

	
	

	2014
	Lasalle Open House 2014, Lasalle College of the Arts, &#38;nbsp;Singapore.

	2013
	Urbane Folklore :Innsbruck. Innsbruck,Austria.

	2013
	2nd Rendezvous Southeast Asia Urban Art Festival. Yangon, Myanmar.

	2012
	Clap 1 2 3, Dagaung Gallery. Yangon, Myanmar.

	
	



	SELECTED PUBLICATIONS


France24 
Meet One of the Artists Making Work to Resist Myanmar’s Military Junta.TIME MagazineMyanmar's Artists Captured the Spirit of the Resistance.

HyperallergicNew Report Sheds Light on Plight of Persecuted Artists.
HRW ProﬁleParis Exhibition Puts Myanmar Junta's Repression on Display.

Pen AmericaStolen Freedoms.
ARC
Art is Power Report.


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